Front FacadeTour guide and tourists at the entrance to the House of the Faun in Pompeii, ancient Roman city, Italy. Martin Godwin/Getty Images
The House of the Faun was the largest and most expensive residence in ancient Pompeii, and today it is the most visited of all the houses in the famous ruins of the ancient Roman city on Italy's western coast. The house was a residence for an elite family: takes up a whole city block, with an interior of some 3,000 square meters (nearly 32,300 square feet). Built in the late second century BC, the house is remarkable for the lavish mosaics which covered the floors, some of which are still in place, and some of which are on display at the National Museum of Naples.
Although scholars are somewhat divided about the exact dates, it is likely that the first construction of the House of the Faun as it is today was built about 180 BC. Some small changes were made over the next 250 years, but the house remained pretty much as it was constructed until August 24, 79 AD, when Vesuvius erupted, and the owners either fled the city or died with the other residents of Pompeii and Herculaneum.
The House of the Faun was nearly completely excavated by Italian archaeologist Carlo Bonucci between October 1831 and May 1832, which is in a way too bad--because modern techniques in archaeology could tell us quite a bit more than they could 175 years ago.
The image on this page is a reconstruction of the front facade--what you'd see from the main street entrance--and it was published by August Mau in 1902. The two main entrances are surrounded by four shops, perhaps rented out or managed by the owners of the House of the Faun.02of 10
Floor Plan of the House of the FaunPlan of the House of the Faun (August Mau 1902). August Mau 1902
The floor plan of the House of the Faun illustrates its immensity--it covers an area of over 30,000 square feet. The size is comparable to eastern Hellenistic palaces --and Alexis Christensen has argued that the house was designed to imitate palaces like that found on Delos.
The detailed floor plan shown in the image was published by German archaeologist August Mau in 1902, and it is somewhat out of date, particularly with reference to the identification of the purposes of the smaller rooms. But it shows the main flashy bits of the house--two atria and two peristyles.
A Roman atrium is a rectangular open-air court, sometimes paved and sometimes with an interior basin for catching rainwater, called an impluvium. The two atria are the open rectangles at the front of the building (on the left side of this image)--the one with the 'Dancing Faun' that gives the House of the Faun its name is the upper one. A peristyle is a large open atrium surrounded by columns. That huge open space at the back of the house is the largest one; the central open space is the other.
Entryway MosaicEntryway Mosaic, House of the Faun at Pompeii. jrwebbe
At the entryway of the House of the Faun is this mosaic welcome mat, calling Have! or Hail to you! in Latin. The fact that the mosaic is in Latin, rather than the local languages Oscan or Samnian, is interesting because if the archaeologists are right, this house was built before the Roman colonization of Pompeii when Pompeii was still a backwater Oscan/Samnian town. Either the owners of the House of the Faun had pretensions of Latin glory; or the mosaic was added after the Roman colony was established about 80 BC, certainly after the Roman siege of Pompeii in 89 BC by the infamous Lucius Cornelius Sulla.
Roman scholar Mary Beard points out that it's a bit of a pun that the richest house in Pompeii would use the English word "Have" for a welcome mat. They certainly did.04of 10
Tuscan Atrium and Dancing FaunThe Dancing Faun at the House of the Faun in Pompeii. Corbis via Getty Images / Getty Images
The bronze statue of a dancing faun is what gives the House of the Faun its name--and it is located where it would have been seen by people peering in the main doorway of the House of the Faun.
The statue is set in the so-called 'Tuscan' atrium. The Tuscan atrium is floored with a layer of plain black mortar, and in the center of it is a strikingly white limestone impluvium. The impluvium--a basin for collecting rainwater--is paved with a pattern of colored limestone and slate. The statue stands in above the impluvium, giving the statue a watery surround.
The statue at the House of the Faun ruins is a copy; the original is in the Archaeological Museum of Naples.05of 10
Reconstructed Little Peristyle and Tuscan AtriumReconstructed Little Peristyle and Tuscan Atrium of the House of the Faun, Pompeii. Giorgio Consulich / Collection:Getty Images News / Getty Images
If you look north of the dancing faun you'll see a roped off mosaic floor backed by an eroded wall. Beyond the eroded wall you can see trees--that is the peristyle in the center of the house.
A peristyle is, basically, an open space surrounded by columns. The House of the Faun has two of these. The smallest, which is the one you can see over the wall, was about 20 meters (65 feet) (east/west by 7 meters (23 feet) north/south. The reconstruction of this peristyle includes a formal garden; it may or may not have been a formal garden when it was in use.
Little Peristyle and Tuscan Atrium ca. 1900Peristyle Garden, House of the Faun, Giorgio Sommer Photograph. Giorgio Sommer
One major concern at Pompeii is that by excavation and revealing the building ruins, we've exposed them to the destructive forces of nature. Just to illustrate how the house has changed in the last century, this is a photograph of essentially the same location as the previous one, taken about 1900 by Giorgio Sommer.
It might seem a bit odd to complain about the damaging effects of rain, wind, and tourists on the ruins of Pompeii, but the volcanic eruption which dropped a heavy ashfall killing many of the residents preserved the houses for us for some 1,750 years.07of 10
The Alexander Mosaic
The Alexander Mosaic, a reconstructed part of which can be seen at the House of the Faun today, was removed from the floor of the House of the Faun and placed in the Archaeology Museum of Naples.
When first discovered in the 1830s, the mosaic was thought to represent a battle scene from the Iliad; but architectural historians are now convinced that the mosaic represents the defeat of the last Achmaenid dynasty ruler King Darius III by Alexander the Great. That battle, called the Battle of Issus, took place in 333 BC, only 150 years before the House of the Faun was constructed.08of 10
Detail of the Alexander MosaicDetail of a mosaic originally located in the House of the Faun, Pompeii - Detail of: 'The Battle of Issus' Roman Mosaic. Leemage/Corbis via Getty Image
The style of mosaic used to recreate this historic battle of Alexander the Great defeating the Persians in 333 BC, is called "opus vermiculatum" or "in the style of worms". It was made using tiny (under 4 mm) cut pieces of colored stones and glass, called 'tesserae', set in worm-like rows and placed into the floor. The Alexander mosaic used approximately 4 million tesserae.
Other mosaics that were in the House of the Faun and can now be found at the Archaeological Museum of Naples include the Cat and Hen Mosaic, the Dove Mosaic, and the Tiger Rider Mosaic.09of 10
Large Peristyle, House of the FaunLarge Peristyle, House of the Faun, Pompeii. Sam Galison
The House of the Faun is the largest, most opulent house discovered at Pompeii to date. Although most of it was built in the early second century BC (circa 180 BC), this peristyle was originally a large open space, probably a garden or field. The peristyle's columns were added later and were at one point altered from Ionic style to Doric style. Our guide to Greece for Visitors has an excellent article on the differences between Ionic and Doric columns.
This peristyle, which measures some 20x25 meters (65x82 feet) square, had the bones of two cows in it when it was excavated in the 1830s.10of 10
Sources for the House of the FaunInterior Courtyard of the House of the Faun at Pompeii. Giorgio Cosulich / Getty Images News / Getty Images
For more on the archaeology of Pompeii, see Pompeii: Buried in Ashes.
Beard, Mary. 2008. The Fires of Vesuvius: Pompeii Lost and Found. Harvard University Press, Cambridge.
Christensen, Alexis. 2006. From palaces to Pompeii: The architectural and social context of Hellenistic floor mosaics in the House of the Faun. PhD dissertation, Department of Classics, Florida State University.
Mau, August. 1902. Pompeii, Its Life and Art. Translated by Francis Wiley Kelsey. The MacMillan Company.